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Die Kunst der Gotik findet ihre Wurzeln in der kraftvollen Architektur der Kathedralen Nordfrankreichs. Es handelt sich um eine mittelalterliche Kunstbewegung, die sich in Europa über mehr als 200 Jahre erstreckte. Die Architekten wandten sich von den runden Formen der Romanischen Kunst ab und begannen, Strebebögen und Spitzbögen einzusetzen, um die Kathedralen für das Tageslicht zu öffnen. Die Epoche der Gotik war durch tief greifende wirtschaftliche und soziale Veränderungen gekennzeichnet und brachte darüber hinaus eine neue Ikonographie hervor. An Stelle der angsterfüllten, dunklen Iconogr
Art, Gothic. --- Art, Gothic --- Painting, Gothic. --- Gothic painting --- Paintings, Gothic --- Gothic art --- Art, Medieval --- Christian art and symbolism
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Gothic art finds its roots in the powerful architecture of the cathedrals of northern France. It is a medieval art movement that evolved throughout Europe for more than 200 years.Leaving curved Roman forms behind, the architects started using flying buttresses and pointed arches to open cathedrals to the daylight. A period of great economic and social change, the gothic era also saw the development of a new iconography celebrating the Holy Mary, in contrast to the fearful themes of dark Roman times. Full of rich changes in all the different arts (architecture, sculpture, painting, etc.), Gothi
Art, Gothic. --- Art, Gothic --- Painting, Gothic. --- Gothic art --- Art, Medieval --- Christian art and symbolism --- Gothic painting --- Paintings, Gothic --- Architecture, Gothic. --- Architecture, Gothic --- Gothic architecture --- Christian antiquities --- Church architecture
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Développé à travers l'Europe pendant plus de 200 ans, l'art gothique est un mouvement qui trouve ses racines dans la puissante architecture des cathédrales du nord de la France. Délaissant la rondeur romane, les architectes commencèrent à utiliser les arcs-boutants et les voûtes en berceau brisé pour ouvrir les cathédrales à la lumière. Période de bouleversements économiques et sociaux, la période gothique vit aussi le développement d'une nouvelle iconographie célébrant la Vierge, à l'opposé de la thématique terrifiante de l'époque romane. Riche de changements dans tous les domaines (architect
Art, Gothic. --- Art, Gothic --- Painting, Gothic. --- Gothic art --- Art, Medieval --- Christian art and symbolism --- Gothic painting --- Paintings, Gothic --- Architecture, Gothic. --- Architecture, Gothic --- Gothic architecture --- Christian antiquities --- Church architecture
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Gothic art finds its roots in the powerful architecture of the cathedrals of northern France. It is a medieval art movement that evolved throughout Europe over more than 200 years.Leaving curved Roman forms behind, the architects started using flying buttresses and pointed arches to open up cathedrals to daylight. A period of great economic and social change, the Gothic era also saw the development of a new iconography celebrating the Holy Mary - in drastic contrast to the fearful themes of dark Roman times. Full of rich changes in all of the various art forms (architecture, sculpture, painting, etc.), Gothic art paved the way for the Italian Renaissance and International Gothic movement.
Art, Gothic. --- Painting, Gothic. --- Sculpture, Gothic. --- Architecture, Gothic. --- Gothic art --- Art, Medieval --- Christian art and symbolism --- Gothic architecture --- Christian antiquities --- Church architecture --- Gothic sculpture --- Sculpture, Medieval --- Gothic painting --- Paintings, Gothic --- Art, Gothic --- Art --- Art, gothic
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This book aims to analyze the genesis and evolution of late Gothic painting in the Crown of Aragon and the rest of the Hispanic kingdoms, examining this phenomenon in relation to the whole context of Europe in the second half of the fifteenth century. The authors consider the influence of the Flemish primitive movement on the art produced by their Spanish colleagues, the artistic relations and interchanges with the Netherlands and other countries, and the introduction and development of the Flemish language in the Spanish lands. The book also examines altarpieces, considering topics such as changes in shape and structure and liturgical links, along with offering stylistic analyses supported by new technologies. Contributors are Joan Aliaga, Maria Antonia Argelich, Marc Ballesté, Judith Berg Sobré, Carme Berlabé, Eduardo Carrero, Ximo Company, Francesca Español, Francesc Fité, Montserrat Jardí, Nicola Jennings, Fernando Marías, Didier Martens, Isidre Puig, Nuria Ramón, Pedro José Respaldiza, Stefania Rusconi, Tina Sabater, Albert Sierra, Pilar Silva, Lluïsa Tolosa, Alberto Velasco, and Joaquín Yarza (†).
Spanish Medieval styles --- Painting --- easel paintings [paintings by form] --- influence --- anno 1400-1499 --- Flanders --- Spain --- Painting, Late Gothic --- Painting, Spanish --- Art and society --- Flemish influences. --- History --- Civilization --- Early Netherlandish --- Flemish influences --- Peinture --- Peinture flamande --- Painting, Late Gothic - Spain - Aragon --- Painting, Spanish - Flemish influences --- Art and society - Spain - Aragon - History - To 1500 --- Spain - Civilization - 711-1516 --- Late Gothic painting --- Painting, Gothic --- Painting, Medieval --- Late Gothic
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